THE MAGPIE Essay Example

The Magpie

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Figure 1: The Magpie

Oscar-Claude Monet was a France artist. His art was popular because of the Impressionist painting. His Impressionist painting came at a time of active philosophy movements that expresses’ one’s individual perceptions. Claude claimed that his love of nature inspired him to do painting that seemed natural especially through creating painting, which was aimed at plein-air landscape painting (Sweeney, 1999). Also, Monet was credited for documenting the French countryside through his impression paintings that demonstrated the country side scenes where most of the paintings reflected the landscapes through changing day light and seasons of the year.

Claude Monet and his painting has been described as the driving force for Impressionism. The main theme for the impressionist painting is the understanding of the effects of different light characteristics and how the light affects local color, objects and juxtaposition of colors with one another. All of the Monet’s paintings are described to have pursued the effects of color and light on the objects he painted. Light and color are part of nature that Monet described that individuals have different expressions of how they perceive nature, (Monet, 1978). The purpose of artistic impression in “The Magpie” is to present a feeling of harmony and peace where the action of the time is expressed. Monet’s Magpie could explain the whole winter season.

With regard to “The Magpie” this painting conveys a perception of a certain season of the year. Monet painted “The Magpie” between 1868-1869. This painting has been described as holding the principles of unelaborated theme, realistic light and visible brush strokes. The most powerful visual element in this painting is the use of lines. The lines are used to convey absolute tranquility. Another powerful visual element in this art is the use of space. The space conveys light and the structure of the work of art that draws attention to the objects contained in the painting. The use of visual elements in “The Magpie” conveys deeper beauty of the season of the time putting in place a sense of timeless tranquility (Meyers, 2006, August). Other evidence of tranquility is the linear nature of the work that is accomplished through the use of several horizontal lines. A closer look at the horizontal lines reveal different objects in the paintings such as the whicker wall, roof houses, the top of the hill and the frozen lake field.

The elements and principles of art in this painting were used to accomplish the purpose of impressionism through an individual perception. For example, in this painting the use the elements and principles of art give the perception of depth where viewers perceive that the painting is several meters of space yet, it is a painting contained in small piece of space. The viewers of the art can feel that they can step and relax in the painting due to its depth (Sweeney, 1999). Also, the elements and principles of art focus on drawing the mystery on the painting. This painting can be perceived as though the painter is standing on top of the hill and having the view of a frozen lake field in winter.

The visual elements in this painting are acting like a magnet that pull the viewer to the painting. The use of the visual elements in this painting work in tandem to provide an easy interpretation of the sense of relaxation and the surrounding environment. The snow as the object is not the main object, but it filled the painting to distinct the black-headed magpie at the gate. “The Magpie” is made the focal point because of how it draws attention in this master piece of impressionism.


Sweeney, J. (1999). A Special Effect the Impressionists Paint Winter. Weatherwise52(1), 22-27.

Meyers, J. (2006, August). ‘Nature transforming itself’: Normandy inspired some of Monet’s greatest work, as Jeffrey Meyers discovers in San Francisco. In Apollo (Vol. 164, No. 534, pp. 69-71). Apollo Magazine Ltd.

Monet, C. (1978). Monet’s years at Giverny: beyond impressionism. Metropolitan museum of art.

Wildenstein, D., & Monet, C. (1999). Monet, Or, The Triumph of Impressionism. Taschen America Llc.