SNAPE MALTINGS 1 Essay Example

  • Category:
    Architecture
  • Document type:
    Article
  • Level:
    Undergraduate
  • Page:
    2
  • Words:
    779

Snape Maltings

Snape Maltings

Situated on the banks of River Alde, Snape Maltings is an art building. It is reputable mostly because of the concert hall that happens to be one of the chief sites of the Aldeburgh Festival, which is held annually (Pipe 1999, p. 101). The available information suggests that the Maltings was originally meant for the malting of barley to brew beer (Clark 1998, p. 99). After malting beer from local barley, it was taken to London before being exported to mainland Europe. Currently, many shops, restaurants, galleries, as well as a Concert Hall fill the old structures (Anderson 2010, p. 15). After visiting the site, a number of things emerge as striking and good to behold.

The site has four significant venues, including the Snape Maltings Concert Hall, Britten-Pears Building, Hoffmann Building as well as Holst Library (Worpole 2003, p. 67). The Concert Hall, which was constructed in the mid-19th century by Newson Garrett was initially used as a Malthouse. It is important to note that the Snape Maltings Concert Hall was seriously destroyed by fire just two years after its grand opening by HM Queen Elizabeth II. Despite the ordeal, the space was reopened in time for the Aldeburgh Festival the following year. On the other hand, the Hoffmann Building was opened in May 2009. It has two spaces appropriate for performances and several conventional rehearsal rooms, a social area, and office space. The most intriguing part of the building is definitely the new Britten Studio, which was constructed purposely to have an exceptional and supple acoustic with the best sound insulation for recording (Barron 2009, p. 33). The Hoffmann Building is suitable for orchestral rehearsals, and it can hold up to 340 people (Holst 1977).

While the Holst Library is not part of the Snape Maltings, it has a very close relationship to the complex. Imogen Holst, a close friend of Benjamin Britten, gave most of the original contents in the complex (Anderson 2011, p. 80). The library is found in two rooms, which are strategically located on the second floor of the BPP buildings in the complex, and it has books, audio materials as well as scores that cover many genres. There is a Dovecote Studio for visual artists. It is situated in one of the most sensitive buildings on the Snape Maltings. It is evident that the ruin of a dovecote is found significantly on the edge of the marsh. The design complements the characteristic architecture of the Maltings because of the sensitivity in addition to being brusquely contemporary. This studio solves the problem of working in a fragile ruin in a way that brings together materials, design, pre-fabrication and delivery to the site (Sheldrake 2013, p. 70).

From the inside, the Dovecote Studio reveals the internal capacity of the Victorian structure as a Corten steel “lining” (Bloszies 2013, p. 124). In addition, the monocoque-welded building was constructed next to the ruin and craned in after completion. It is completely welded in one piece similar to the hull of a ship. This is meant for weather tightness, besides lining with insulated plywood. Snape Maltings also has the Trask artists’ café curved from one existing storey building at the edge of the wetland. It links different working and circulation spaces of the Britten Pears School and the Concert Hall. Therefore, the cafe is integral to music. The first three stages of accommodation and retail space have been finished. It occupies two abandoned structures around a common courtyard. A retail space exists on the ground level, with the derelict of the turning floors kept at one end (Mathias 1959, p. 212). The wetland of the Snape Malting gives the complex the tranquillity needed. Visiting the site will give a peaceful feeling, especially looking at the wetland in comparison to the building. The green view of the wetland makes the entire site natural. The dressing room inside the complex was fascinating to behold. It is so comfortable that a person can overlook the original function of the complex.

References List

Anderson, J., 2011. Architectural design. Lausanne, AVA Academia.

Anderson, J., 2010. Basics architecture 03: Architectural design (Vol. 3). AVA Publishing.

Barron, M., 2009. Auditorium acoustics and architectural design. Routledge.

Bloszies, C., 2013. Old Buildings New Designs: Architectural Transformations. Princeton Architectural Press.

Clark, C., 1998. The British malting industry since 1830. A&C Black.

Holst, I., 1977. Working for Benjamin Britten. The Musical Times118(1609), pp.202-206.

Mathias, P., 1959. The brewing industry in England 1700-1830. CUP Archive.

Pipe, J., 1999. Port on the Alde: Snape and the Maltings. Snape Maltings.

Sheldrake, P., 2013. Spirituality: a brief history. John Wiley & Sons.

Worpole, K. 2003. Last landscapes: the architecture of the cemetery in the West. London, Reaktion.