Dwelling research paper Essay Example

  • Category:
    Architecture
  • Document type:
    Essay
  • Level:
    Undergraduate
  • Page:
    2
  • Words:
    1283

3Dwelling research paper

Dwelling Research Paper

Dwelling Research Paper

Introduction

In this case, the idea of preference that relates to the spatial inhabitation is music. The relationship between the music and its relation to the spatial design has been attracting a broad range of concern from a significant proportion of scholars. In this case, their concern is to come up with relevant conclusion regarding the positioning of the idea of music in the spatial design. Ideally, the subject of music is old but, however, the means through which it can be played and presented to the audience has been changing over time. Due to the changes that come along as people go over the ages, the issue of spatial design comes into play. In the case, the relation between the older generation music is tried in a comparison to seek the resemblance between them. As a matter of fact, the primary aims of music is to entertain, pass information and preserve the cultural practices of a given group of people who share common beliefs. In the view of this, the spatial design along with spatial inhabitation seems to play a critical role in the area of music.

Connection between Music and Spatial Design

The idea of music and its relation to space invokes the issue of spatial design in which factors such as creation of imagery, sensations and emotions arises. There exist, distinct models, in which music is portrayed to the audience over the ages. However, there is always the issue of inheritance as one generation imitates the past one for ideas then adding up some improvements depending on the trending conditions (Graham & Bridges, 2014, P. 584). In some cases, the changes in the way music is displayed could be affected by the prevailing conditions as most are the songs that reflect at the background of the display. Those involved in the art of song making have to conduct sufficient research that include the trending conditions for the music to be relevant to the audience. In most cases, audience will get obsessed with songs that have value and bring some meaning to them.

As the spatial design comes into play, music designers consider aspects that will make their songs more appealing to the audience. They engage with the use of modern technology to improve on their works. Unlike in the ancient world, the current world is characterized by the use of electronic systems that enhance proper music displays to the audience. At the same time, the embrace some important features of the older designs by engaging in solving the societal troubles. In this sense, music can change the outlook of the society when properly developed by considering the spatial aspects appropriately. As told by various scholars, music brings the aspect of cultural preservation which is instilled to the individuals as the concept of sustainable conservation. A message that was relayed to the ancient generation can still be told to the current one since music helps in upholding the past regarding the society. More so with current use of electronic means of storage, the message relayed in any record will be told in the future as the same since nothing gets distorted. In the view of this, the integration of the ancient styles with the current one to come up with a blend results in fashionable spatial design. Correspondingly, it helps through a gradual evolution steps with a consideration to all the societal significant aspects.

Relevance to Spatial Inhabitation

According to the information found by this research, spatial inhabitation plays a critical role in the area of music. Fundamentally, music is designed to take airwaves in its propagation from the point of production to the other. Therefore, it makes the use of spatial inhabitation in the time that it is displayed from the source. At the same time, it is played to make people feel relaxed, and this goes to the cognitive of the individuals under consideration (Graham & Bridges, 2014, P 583). Once the music is played, it goes to affect the inner brain of the person under the account in which it can bring moments of happiness, sadness or any other depending on the purpose for the music. In this line of view, it gets into the mental space to change the perspective of an individual at any given time. Due to this, music designers have to consider the purpose for the music before they engage the creation of it so that it brings the correct sense and emotion to the individual.

Once the music is displayed to the audience, the spatial inhabitation that is immediate is the brain of the person. It is at this point that the idea of contemplation comes into effect and this could result in different reactions from the listener. From this line of view, the investigations prove some mixed results for the old age music with the current one. The current music is played with modern and efficient tools which help to make it better than the ancient one. Moreover, the modern composers are more qualified and talented to use the current musical applications than the old ones. It, therefore, indicates significant steps that have been adopted in the area of music over time. Remarkably, the area of spatial inhabitation has been deemed to improve significantly.

Conclusion

To sum up, the relationship between music and spatial design plays a significant role in an ever-evolving society. Ideally, it helps in bridging the past and the present which contributes to preserving the old traditions. As a matter of fact, the affiliation between music and spatial orientation has attracted attention from a broad spectrum of scholars who engage to give the valid research regarding the connection. As the spatial design comes into play, music designers consider aspects that will make their songs more appealing to the audience. They engage with the use of modern technology to improve on their works. Unlike in the ancient world, the current world is characterized by the use of electronic systems that enhance proper music displays to the audience. In this perspective, their wish is to come up with pertinent conclusion relating to the positioning of the idea of music in the spatial design. Profoundly, the subject of music dates back in the ancient days, nevertheless, the means through which it can be played and offered to the audience has been changing over time. Due to the changes that come along as people go over the ages, the issue of spatial design comes into consideration. In this line of view, the connection between the older generation’s perspectives of music is gauged against the current to come up with a concise picture. In addition, music designers have to consider the purpose for the music before they engage the creation of it so that it brings the correct sense and emotion to the individual.

According to the research revelations, the primary goals of music is to entertain, pass information and preserve the cultural practices of a given group of people who share common philosophies. Moreover, the relation between the older generation music is tried in a comparison to seek the resemblance between them. As a matter of fact, the primary aims of music is to entertain, pass information and preserve the cultural practices of a given group of people who share common beliefs. Given this, the spatial design as well as spatial inhabitation seems to play a critical role in the area of music. They offer a greater insight regarding the subject of music along with dimensions that are involved in it.

List of References

Graham, R., and Bridges, B., 2014, June. Gesture and Embodied Metaphor in Spatial Music Performance Systems Design. In NIME (pp. 581-584).