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Dear writer, my assignment is to write a feature article. The task is to write an article which promotes and previous an upcoming Indigenous short film festival. Your article should be written to fit one of the following two scenarios: Scenario 1: As p Essay Example

  • Category:
    Literature
  • Document type:
    Article
  • Level:
    High School
  • Page:
    2
  • Words:
    1178

IN THE BIN SHORT FILM FESTIVAL 6

In the Bin Short Film Festival

In the Bin Short Film Festival

In the Bin Short Film Festival commenced in the year 2000 as a brief film festival that was set in Currumbin and has matured to be an event that nationally allover Australia. Presently the Bin reaches more than sixty five communities in Australia and it showcases the very best of short films that are offered in Australia. Minde (2008) notes that prior to the coming of European settlers in Australia, Indigenous people are the ones that had inhabited the continent of Australia for close to sixty thousand years. They possessed highly developed traditions and complex social systems that reflected a deep connection with the land. Allover the Australian continent Indigenous people conversed in hundreds of different dialects and languages and possessed diverse cultural practices. The traditions and cultures of Indigenous peoples of Australia are an integral part of the Australian contemporary society and go as far as the identity of the country as a modern nation state with an ancient and rich heritage (Kearney & Syron, 2008).

Indigenous film portrays Indigenous people, issues and stories or is also a film that is made by Indigenous Australians. Whereas Indigenous film is a small portion, is significantly highly as part of culture of Australia. The showcasing of indigenous people and issues in film gives a unique insight into relationship of Australia with its indigenous heritage and peoples. Indigenous film is a way of expression of Indigenous culture and Indigenous experience. Torres Strait Islander and Aboriginal people, issues and stories have many times been marginalized and stereotyped in the society of Australia. According to Minde (2008), film history of Australia gives the same scenario. Nevertheless, there are films that give the image of indigenous people aware and self conscious and not as dangerous or mysterious ‘other’. The demonstrations of the indigenous issues go together with pragmatic measures that can lead to effective reconciliation. Torres Strait Islanders and Aboriginal have been portrayed in film from the start of silent era of the 1920s. Films made in this period concerning Aboriginal and Torres Strait Islanders societies were produced from a European perspective. In the opinion of the Indigenous Australians they were condescending. Feature films, drams and fictional films, more often than not painted the picture of Aborigines as threatening and moreover represented them as playful and mysterious.

Kearney and Syron (2008) argue that indigenous people in all the films were represented as being inferior and primitive as compared to the white settlers. The world living culture that is most ancient, Indigenous people of Australia have a history that is continuous spanning at least fifty thousand years. During the time of European settlement and discovery, almost one million Aboriginal people were already living across the continent as gatherers and hunters. They were spread out in 300 clans and spoke 700 dialects and 250 languages. Each of the clan possessed a spiritual connection with a particular piece of land and more so travelled widely to find water and seasonal produce, to trade and for totemic and ritual gatherings. Recent statistics from the government counted close to four hundred thousands aboriginal people which represented about two percent of the whole population of Australia. Australian Aborigines migrated from somewhere in Asia close thirty thousands years ago. Despite them comprising about 500 distinct groups, aboriginal people have unifying links. They have strong spiritual beliefs, storytelling tribal culture and art, and a difficult colonial history (Kearney & Syron, 2008).

As part of 2011 Currumbin In the Bin Short Film Festival, a day has been set aside to show serious of indigenous film, and to promote this day some of the films to be shown are previewed and analyzed as follows:

Previews

Sharpeye(Aaron Fa’aoso): It tells how eleven-year-old Whalen spots a dinghy of Special Forces which is part of the exercise. They plan a surprise attack on a community but they are out-maneuvered by the entire community springing into action (Fa’aoso, 2007).

Days Like These (Martin Adams): Adams puts viewers into the shoes of Dan, a young man with Aboriginal origin trying to find work (Adams, 2007).

Bloodlines
(Jacob Nash): Josh resides in an urban flat. He’s a member of the Stolen Generations and has talked to or met his mother. He has got the opportunity to call her, a step that cannot be easily taken (Nash, 2007).

Analysis

Shaepeye is a film that pays enormous tribute to the spirit of the people of Aboriginal and Torres Strait Australia. The plot spins through wonderfully illuminating whatever that goes on in the northern part of Australia, especially the Torres Strait Islands. It is a movie that brings forth a celebratory mood. Whalen is congratulated for his sharp eye and support for the soldiers in their exercise and there is a celebration comprising of a gun salute and customary dance. The Special Forces are repulsed (Fa’aoso, 2007).

Days Like These is film that demonstrates what it means to be black and having to cope with social stereotyping and disappointments. This film highlight the struggles Aboriginal people face owing to institutional racism and how that can occasion in lack of opportunities. The film caries with it a melancholy mood as Dan goes through the odds that are stacked against him. It shows the spirit of Aboriginal people to survive despite the many challenges they have to encounter. Dan shows unyielding spirit (Adams, 2007).

Bloodlines concerns episodes in life when you are in a state of limbo, a state flux, a state of waiting. During the time when a person is in a state of ‘limbo’, caught between the future and the now, times slows down, and the entire world becomes irrelevant. The life changing times are unique, unanticipated and from this you can gain strength and identity. The movie makes the audience to be perplexed as to what was happening and it was contrary to the stereotype of aboriginals being poor and it is not until the end of the movie that it is realized that Dan was calling his biological mother but there were hints along the way that it part of the stolen generation cause of the photo of him and the white people. The film has an anticipatory mood (Nash, 2007).

With these kind of film running in the Festival there is a reason for everyone to grab the chance and get to know more about Indigenous people through the illustrative films with when revealing and scripted plots. The viewers will find the film not only entertaining but educative and thought provoking. One will find a reason to appreciate and acknowledge the indigenous people.

References

Nash, J. (2007). Bloodlines. Retrieved July 7, 2011 from

<http://www.creativespirits.info/resources/movies/bloodlines >

Adams, M. (2007). Days Like These.
Retrieved July 7, 2011 from
<http://www.creativespirits.info/resources/movies/days-like-these >

Fa’aoso, A. (2007). Retrieved July 7, 2011 from<http://www.creativespirits.info/resources/movies/sharpeye>

Minde, H. (2008). Indigenous peoples: self-determination, knowledge, indigeneity. Hague: Eburon Uitgeverij B.V.

Kearney, B. & Syron, B. (2008). Kicking Down the Doors — A History of Indigenous Australian Filmmaking 1968 – 1993. Sidney: Lulu.com.