Cultural Studies — Hong Kong Cinema Essay Example

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Cultural Studies: Hong Kong Cinema 4

Cultural Studies: Hong Kong Cinema

Intersecting Anglicization and Sinicization,

Culture is one of the generalized and insinuated practices among the people of Hong Kong and the world as a whole. Hong Kong suffers the concepts of cultural changes and uprising arising from a shift that happened from the ancient British colonial outpost to the present and what is considered modern People’s Republican of China. Every set of people in the world, and not Hong Kong alone, have urged for a republican or democratic avenue of governance and management in order to liberate people from the dominion of their cultures and outweighed traditional practices. The assertions of the Hong Kong Cinema lie within a period of change that happens in the country because of what has been termed as westernization.

In Hong Kong, there is legibility for transfer of empires from the past colonial history to the modern age of living. Most of the films printed in the Hong Kong Cinema have refused to be part of enthusiastic sharing of the national symbolization and reclamation of the rich financial station founded in Beijing. The Hong Kong Cinema films refuse to engage in heroic and linear paths of decolonization. Instead, most of the people working within the Hong Kong Cinema films have engaged and embraced what the British colonial government is doing. The British colonial governance is trying to provide a more liberal and enthusiastic avenues of making modern and progressive the culture and dominated practices among the people of China. Moreover, the British colonial government is trying to make it possible for the Chinese society to embrace bits of cultural movements and practices from the western world. Several forces from the western world try to influence the culture of the people of China. These forces have found support from the Hong Kong Cinema filmmakers. With the desire to open up on the culture and diversity of the people of Beijing, many filmmakers have resorted to engaging the British colonial groups to intrude and hence corrode the culture of the people of China (Khiun 2012, p. 34).

The treatment of the traditional practices like martial arts and other highly skilled practices triggered many British interests who were getting support from the filmmakers as advertised through the Hong Kong Cinema. There arises a related connection between the west and the Middle Kingdom as concerns how they treat the Hong Kong Cinema. As stated in many other related research sources like the Qing Mandarins, many city filmmakers have turned their attention to attracting more of western influences in a bid to bring modernization to the existing cultural practices. The Beijing culture has been turned to a desolate body by the London colonial rule.

In conclusion, the exploration of the Chinese culture through the Hong Kong Cinema is a clear picture of how westernization has influenced many cultures in the entire world. Many people, as done the filmmakers in the Hong Kong Cinema, have turned into marketing the western culture at the expense of the culture of the people of China and many other societies in the world. Nonetheless, the aspect of westernization has within it pros and cons to the people and the nation as a whole. As depicted by the urgency partners in the Hong Kong Cinema, many filmmakers see sense in that westernization is a form of intrusion into the sovereignty of the nation at hand. Nonetheless, civilization is the main strong point when it comes to embrace of the western culture at the expense of the traditions and culture among the people (Khiun 2012, p. 46).


Khiun, K., L. (2012). Intersecting Anglicization and Sinicization, Cultural Studies, 26:5, 765- 781, DOI: 10.1080/09502386.2012.697738.