CASA BATTLO

  • Category:
    Architecture
  • Document type:
    Assignment
  • Level:
    High School
  • Page:
    1
  • Words:
    668

Gaudi had an inborn feeling of volume which most likely originated from his practice as a coppersmith in his adolescence or from his mindful perception of nature, which he considered a wellspring of motivation. His bent dividers and rooftops, his explanatory curves, his wound sections, his winding smokestacks are geometrical shapes which we find richly in engineering, and that originate from regular structures, similar to the bones of the set of all animals or the storage compartment and branches of the trees of the plant kingdom. The work of Gaudi is not the consequence of an uncontrolled dream, but instead the aftereffect of remarkable inventive capacity, as the counts of the contemporary PC have affirmed. Design and furniture, made with the neighborhood materials and enriched with the structures and shades of their environment, contain an answer which the section of years has ended up being extraordinary.1

Casa Batlló, situated in the very heart of Passeig de Gràcia, is an announcement of pleasure. It is a universe of imagery, a canvas of marine motivation, a fantasy world, which brings out nature with its natural components and is suggestive of imagination. Entirely separated from its masterful quality, the building is to a great degree useful, in a way that is significantly more commonplace of the present than of the past. There are even the individuals who see components in it which are forerunners of the vanguard twentieth-century design. It emerges as a result of its natural structures, the development of the ideas utilized, and the procedure utilized.

The Nobel floor covers more than 700 square meters, and it is the principle abiding in the building. It is gotten to using an amazing private passage lobby which puts the guest as a primary concern of Captain Nemo’s submerged holes, with bay windows which resemble tortoises’ shells, vaulted dividers in bending shapes and a marvelous staircase. The cut rail, produced using fine hardwood, speaks to the spine of some enormous creature. Gaudí made extensive oak entryways with natural shapes into which are set sheets of recolored glass. These entryways, and isolating the three rooms, permit a solitary light-filled space to be made. The roof is wavy, in implication to the ocean. It includes an astute whirlpool impact which Gaudí accomplished utilizing an esparto mortar filling and which inspires the force of the ocean.

The loft is a standout amongst the most surprising spaces and is a delightful blend of the tasteful and the useful. It was in the past an administration territory for the inhabitants of the different flats in the building and housed pantries, stockpiling regions, and so forth. It is described by the effortlessness of its shapes, its Mediterranean impact using the shading white, and its all-infesting light. It highlights a progression of 60 catenary curves, making a space which brings out the ribcage of a creature – maybe the monster which sits above it, on the rooftop patio, which is gotten to by winding stairs2.

Nearer to the divine circle, Gaudi utilized his inventiveness, creative ability and imagination in plenitude in building the rooftop porch. This is a territory of awesome wonderful worth, which appreciates great perspectives over Barcelona. It is a universe of shapes, figures, and surfaces. It is commanded by what is tenderly known as the mythical beast’s back, which separates the exterior. Gaudi speaks to a creature’s spine utilizing tiles of various hues on one side, and hue utilizing the trencadís mosaic strategy as an afterthought confronting inwards towards the rooftop patio.

Furthermore, the rooftop is enriched with four smokestack stacks – crooked, adapted and polychromatic, in a perpetual tease with the sky – which is astutely intended to counteract fiery surges.

References

Erbst, Rainer (2002). Gaudí, 1852–1926: Antoni Gaudí i Cornet: a life devoted to architecture.

Cologne, Germany: Taschen.

1Erbst, Rainer (2002). Gaudí, 1852–1926: Antoni Gaudi i Cornet: a life devoted to architecture. Cologne, Germany: Taschen.

2 Erbst, Rainer (2002). Gaudi, 1852–1926: Antoni Gaudi i Cornet: a life devoted to architecture.

Cologne, Germany: Taschen.